Published in 2008 by Farsight Press. From the
book cover:
Never has there been a more pregnant opportunity than now to examine the
political content of music. If politics is the blood that feeds our societies
with the energy to evolve, then music is an essential ingredient to political
transformation. We listen to music not only to be entertained. We listen
to music to understand ourselves both individually and collectively. Yet
it is precisely because music is so entertaining that it carries such
great potency for political expression. With rhythm and tone, music becomes
a powerful link between the emotionally rich ideas of a political thinker
and the listeners. We are both political and musical creatures. This is,
indeed, one of the things that makes it so fun to be human, and this is
also why it is so crucial to understand the potential of music to help
transform society. Employing a wide-angle view, from Beethoven to hip-hop,
Courtney Brown identifies and discusses the political content of music
as it has manifested in Western society for approximately 200 years. And
as Brown writes, "I can see the arrival of no intermediating factors
that might possibly diminish the urgent relevancy of political music as
an essential element in our collective human destiny, however mundane
or sublime that may be."
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are saying about
POLITICS IN MUSIC: Political Transformation
From Beethoven to Hip-Hop
"Politics in Music is a fascinating and wide-ranging exploration
of the growing role of political activism in music. Starting with Beethoven's
politics and the political battles in Germany to exploit Beethoven's legacy,
Brown explores the growing understanding of the political power of music
as shown in the nationalist fervor of Verdi, the philosophical and political
goals of Wagner and Bob Marley, the legacy of the union struggles of Joe
Hill, the 60's era of protest music embodied by Bob Dylan, and on to the
modern juggernaut of hip-hop. There are so many interesting facets of
music history presented here that are never discussed in traditional music
study programs. An easy and engaging read, the book shows clearly the
theme of political awareness that has developed in modern music. This
book is essential reading for those interested in understanding where
music is
today and where it will be heading in the future."
— Albert Ahlstrom, D.M.A.
(from The Juilliard School), Director of Music, Holy Spirit Catholic Church,
Atlanta, Georgia.
"Professor Brown has produced an interesting and provocative book.
It should appeal both to fans of music and students of politics. It will
prove a valuable resource for those interested in the intersection of
both domains."
— Timothy J. Dowd, Ph.D.,
Professor of Sociology, Emory University, Atlanta, Georgia.
Table of Contents
Preface
Chapter 1. Music as a Conveyor of Political Messages
- Representational vs. Associational Music
Orientation
Chapter 2. Beethoven
- Beethoven's Music and His Contemporary Political Environment
- The Re-invention of Beethoven During the Second Reich
- Beethoven and the Weimar Republic
- Beethoven and the Nazi Peril
- Post World War II and the Fall of the Berlin Wall
Chapter 3. Political Manifesto Music: The Cases of Bob Marley and Richard
Wagner
- Robert Nesta Marley
- A Prelude to Wagner
- The Essential Plot and Allegory of the "Ring" Operas
- Alberich, Wotan, and the Babylon System
- Life without Fear, Siegfried, and the Rastas
- The Connection Between Love and Revolution
- Love as an Engine of Political Change
Chapter 4. Nationalist and Patriotic Music
- The Period of European Nation-Building
- Italian Nationalism
- Russian Nationalism
- Finnish Nationalism: A Nation Musically Transformed
- Spanish Nationalism
- Musical Nationalism in England
- American Nationalism
- Modern Nationalist Hybrids
- Nationalist and Patriotic Elements in American Country Music
- National Anthems and Pseudo Anthems
- The Psychology of Nationalist and Patriotic Music
Chapter 5: Industrialization and the Emergence of Labor Music
- A Selection of Songs by Joe Hill
- " The Preacher and the Slave" by Joe Hill (1911)
- "The Rebel Girl" by Joe Hill (1914-5)
- "Casey Jones—The Union Scab" by Joe Hill (1912)
- "Down in the Old Dark Mills" by Joe Hill (1913)
- "Everybody's Joining It" by Joe Hill (1911)
- "There is Power in a Union" by Joe Hill (1913)
- "Workers of the World, Awaken" by Joe Hill (1914)
- "The White Slave" by Joe Hill (1912)
- "Stung Right" by Joe Hill (1913)
- "Should I Ever Be a Soldier" by Joe Hill (1913)
- The Subsequent Labor Music Inspired by Joe Hill
- "I Dreamed I Saw Joe Hill Last Night" by Alfred Hays (1925)
Chapter 6. Protest Music: Movement and Non-movement Motivations
- The Vietnam War and Its Effect on the Development of Protest Music
- Protest Music of the Late 1960s and Early 1970s
- Comic Satire:
- Calls for Peace, and Warnings Against Taking Protest "Too
Far":
- Psychological Portraits of Profound and Personal Inner Conflict:
- The Fusion of Political and Spiritual Change:
- Protest Music and Other Wars: The Chilean and Northern Ireland Cases
- Protest Music with Non-Movement Motivations
Chapter 7. Politics and Hip-Hop
- The Emergence of Socially Relevant Hip-Hop
- The Radicalization of Political Hip-Hop Rhetoric
- Class Warfare and the Rise of Ghetto-centric Gangsta Rap
- The Transformation of Hip-Hop into a Vehicle for White Rebellion
Chapter 8. Political Music and the Transformation of Civilization
- The Underground
- The Future of Political Music
References
INDEX
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